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Liniya smerti

The protagonist of the film, the talented glassblower Nikolsky, whose works are exhibited at vernissages, is a lonely man who lives in an exquisitely furnished flat with a sheepdog named Peter. But this is only one side of his life. On the other hand, Sergei Sergeyevich is a virtuoso professional killer who justifies his crimes by saying that he only kills ‘scum’. His ‘clients’ are monsters from corrupt power structures. Nikolsky receives an envelope from an imposing elderly man in a restaurant with the surname and photograph of the person who needs to be ‘taken care of,’ along with an address and money. The deadline is two weeks. Upon receiving the order, he gets as close as possible to his client, infiltrating his life before ending it. At the same time, it becomes clear that the client has three respectable women in his power, who are connected by one profession - prostitution.


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, , 91m

Ot snega do snega

After the graduation from the institute, Anna was appointed to the weather station far in the north. In addition with her at the station there is only her partner who has an affair with a local woodcutter. But waking up one morning, Anna discovers that she is alone in the station.


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, , 88m

Halloh - Caesar!
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Tells the story of an unemployed variety artist who follows a famous American impresario from Berlin to Karlsbad in search of work.


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, , 90m
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A struggling writer in the midst of a divorce befriends a retired serial killer who incidentally becomes his marriage counselor by day, and killing counselor for his next book by night.


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, , 102m
Daehongsu
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When a raging flood traps a researcher and her young son, a call to a crucial mission puts their escape — and the future of humanity — on the line.


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, , , 109m
Das ist nur der Anfang, der Kampf geht weiter

Claudia Alemann's film documents the general strike and student mass protests in Paris in 1968. As a participant in various film collectives, she also examines the role of the medium of film in times of political and social upheaval and the impact of changing cultural-political paradigms on artistic activity. Alemann allows workers, students, teachers and filmmakers to have their say.


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, 45m
Eschyo mozhno uspet

The hero of the film, a Komsomol organiser at a large youth construction site, decides whether it is acceptable to sacrifice people's destinies for the sake of a greater cause.


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, , 69m

Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo on her arm.


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, , 128m
Krst Rakoc

Shortly after World War II, the government sent a crew of drivers with large tractors to clear-cut and plow a vast, barren piece of land called "Krst Rakoc" in the hills of Kosovo and Metohia, for future orchards. They encounter deprecation and revolt from indigenous Albanian population who do not believe in good intentions of the government and the crew.


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, 96m

The film is based on I. Nechui-Levystkyi’s work The Bargewoman. From dawn till dusk from early childhood, Vasylyna has been working on Pan Jastrzebski’s fields. The young nobleman likes the beautiful girl, and she starts working in his home as a maid. Vasylyna’s happiness does not last long: the man marries a girl of his social class. Vasylyna’s fiancé Vasyl, who feels insulted because of her unfaithfulness, instigates guys to cut off the braid of the landlord’s mistress. Vasylyna runs away from the village and hides from people. Soon, she gives birth to a child who dies shortly. Female workers from a factory find barely alive Vasylyna and help her become a weaver. Vasylyna starts a new life.


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, , 72m

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