Igor Olya's father four years ago fell in love with another woman, Tatyana, and left his wife. Tatyana has a son, Dima, whom Igor adopts. Children get to know each other.

Audrey marries a medical officer, sails to Malaysia and meets a prince whose burden is too heavy for his shoulders.

The village Lernasar is doomed to destruction. Its inhabitants, headed by the teacher Kamsaryan, come to defend their history.

A story told without words of a young crane who travels far and learns where his true home is.

Fresh out of basic training, Leo lands his first assignment: a surveillance operation that sees him roaming the streets of Paris with nothing to do other than remain alert for potential threats. Given the task of securing the borders of a massive anti-government demonstration, Leo finds himself plunged into the heart of a raging crowd. All the pressure and impotent fury that has built up over weeks is about to explode...

Based on Boris Zakhoder's poem of the same name.

In Gazing at the Catastrophe, Ali Cherri reflects on how suffering has become increasingly integrated into his daily life. Witnessing of atrocities, Cherri argues, seems to be an inevitable condition of modernity. The knowledge of war gained by those who have not experienced it firsthand is informed exclusively by mediated images found on the internet or in the media.

A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.

Íñigo and Waldo are two friends who share their cinephilia. But one day, at a party, Íñigo meets a girl.

A dark incident occurs in the toilet of a national-Catholic religious school. The protagonists are thirteen-year-old students and the ideology of the school maintains that “chastity comes from caste and we cannot allow sin to take root among us." The chasing begins.