Two ghosts walk along the Camino of Santiago.

A photographer is asked by hotel owners to take portraits of their recently deceased daughter.

Two friends, while having drinks together, share their memories of visiting the seaside resort of Tongyeong.

A tour around England featuring images of nature and various industrialized and militarized settings.

The film uses a mix of cut-out animation from photographs and live-action segments, and tells the story of a married man who lives a double life in his dreams, where he is married to another woman.

The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.

A psychiatrist's adulterous past continues to haunt her and her husband after they move to India.

A story based on Johann Rettenberger, an Austrian marathon runner and a bank robber.

In this age of digital media, Gerhard Steidl stands as one of the few remaining publishers to maintain an unwavering commitment to the quality and craftsmanship of the printed book.

An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.

A village mayor is trying to bring together local people in their thirties who are still single. 21st century social engineering in a situation documentary by Erika Hníková. Slowly but surely, the Slovak village of Zemplínske Hámre is dying out. But its mayor, a retired general, refuses to give up. In fighting the thirty-year-olds‘ solitude he has used a variety of weapons such as offering a financial incentives for every newborn child or encouraging childbearing via the local PA system. None of it has worked. However, the mayor has a new plan. He decides to organize an evening get-together for singles from all the neighboring villages. Will our heroes find their partners after all?

Wyborny’s latest flicker film concentrates on factories, industrial wastelands, waterways, cityscapes, and the bits in between, and has an uncanny emotional resonance. It is “serene, in the manner of ants”—to quote the title of the second section—but it is also elegiac and melancholy. Like two other old cranks (Godard and Straub), the director stays true to ideas about filmic composition gestated over many years and thereby provides a glimpse of a utopian cinema.

A poetic black and white celluloid film depicting the city landscape (San Francisco) in the state of constant change.