A short painted film by Oskar Fishchinger which films images to the music of Johann Bach.

A look at contemporary art in Québec.

“Les jeux sont faits,” is a film based on a screenplay by French existentialist philosopher Jean-Paul Sartre. A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.

A drama about Slovaks who emigrated before WW I. It is focused on the life of Ondrej Muranica. He emigrates to America because of the hard life that is partly caused by Hungarian landowners. His dreams and hopes for a happier life are destroyed by a disaster in the mines where he works. Ondrej is declared missing.Years later he returns to his home country and finds out his wife married his best friend.

After a strike by underpaid, poorly housed metal workers in a Prague suburb is suppressed by the police, an angry mob attacks the luxurious home of the industrialist.

A rendition of the traditional English folksong ‘Widdicombe Fair’, accompanied by drawings.

The most faithful of all the major film versions of Cervantes' novel.

Puppet animation feature consisting of different segments related to the traditions and emotions of the seasons as a typical year passes among the Czech people.

An experimental short film of images and music made by Norman McLaren.

She's working in a big store, he's a typographer and they lost their winning lottery ticket.

In a gym, a girl is pulling some pulleys, to gain arm strength, while three men and three girls watch a judo demonstration in the middle of the room. A girl wearing a sweater and shorts applies a succession of holds to a young man in a sleeveless undershirt and a black trunks: over the shoulder projection, arm lock, over the hip projection, sideways headlock and knee to the face, sacrifice fall followed by school-girl pin, kidney punching followed by a groin kick, sideways kick to the knee and arm-lock, eye-gouge and kick to the ribs, attack to both legs with arms and legs, arm-lock and tripping followed by a leg blow to the throat, disarming a knife attack from above, and then an up-thrust with the knife, disarming a revolver menace from the back, usage of a leather belt to strangle and throw an attacker, usage of hair holds for control and throw of the opponent, and KO punching. The man simulates different forms of attack and stands gamely every time - except the last.

A group of nuns struggle to establish a convent in the Himalayas, while isolation, extreme weather, altitude, and culture clashes all conspire to drive the well-intentioned missionaries mad.

Traces the life and artistic development of the Aboriginal painter, the late Albert Namatjira. His environment, his introduction to painting, his subsequent success with beautifully original landscapes and his influence on fellow Aborigines are recorded.

A soundless film starts in a studio: an artist sits, a nude stands; a page burns, paper cutouts appear, images are distorted. The artist removes his eye; it falls from his hand, seeing images spin as it rolls. A man falls, objects in the studio falls on him, he's not the artist. A woman gets help from a man in a lab coat; he and the man on the floor fight over a shotgun. Outside, in the city, people and cars move backwards. On the street, those from the studio chase a woman who's stolen leeks. In the backward cityscape, they move forward. They run toward a seaside amusement park. The artist follows, his head in a bird cage. He ends up with the woman who went for help; or does he?