Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

A bunch of unemployed and unqualified workers are hired to unload a few railway wagons. Because of the low wages, the manager needs to encourage the workers in some other way.

Experimental short film from Yugoslavia.

A photographer and a retoucher are wandering in small villages. They go from house to house offering their services. They try to record the truth, the true faces of these people.

The film depicts, in an anecdotal, quasi-anthropological style, the efforts of a group of men in a desert to achieve some kind of social organisation. An opening title locates the action in Morocco, in 1911, the date evidently refers to the work of D.W. Griffith.

A woman dressed in a robe, hands bound, is being transported through a barroom into a jail cell, directly outside of which later appears a jury box filled with jurors. Linearity is rejected as space is treated poetically, following the coordinates of a propulsive social idea - the social imprisonment of black women.

An unobtrusive and naturalistic examination of the goings-on of a children's court, Memphis Juvenile Court 616.

The fifth and last episode of the "Who threw that, gentlemen?" series. The series is the continuation of the previous "bear" series "Hey, Mister, let's play?". This time the bears decide to grow carrots and turnips. While working they come across a billy-goat who wants to relieve them of their crop. The bears force him to return the carrots and turnips and to carry all the crops back to their home.

Based on a pre-war murder case of the Malisz couple. They end up committing a petty robbery and a sordid murder. He is an illustrator who is not used by a climbing architect. His folks don't like his wife and keeping both of them around as they float from one petty job to another. They finally try to rob a mailman of a bogus money order they have cooked up and end up killing an old, invalid couple with whom they have roomed.

Documentary on the life of the farmers of the Heta Village opposing their resettlement due to the construction of the Narita Airport.

On a faraway planet where blue giants rule, oppressed humanoids rebel against their machine-like leaders.

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.

Man & Woman & Animal shows a woman finding pleasure in herself, the whole film is a kind of assertion and affirmation of female sexuality and its independence from male values and pleasures... (Joana Kiernan)

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature.

In his last and only long-form film, Hans-Jakob Siber tells the tale of a hunting accident in the Alps, involving two old shepherds. Accompanied by psychedelic music of pop group The Mandrake Memorial and purely visually narrated, Siber's Xeudi is a hypnotic trip to the inner world of the old men and the mountains in which they have made their home.

Bruce Lacey is a legendary figure on the British counter-cultural art scene during the 1960s, he has enjoyed six decades of defining cultural moments, collaborating with all manner of filmmakers, musicians and artists.

Two bleak stories about absent love. In the first, a widow is working hard in a desperate attempt to save her dying daughter. The second tells the story of two wandering singers who kidnap a bride from her wedding.