The film springs from at least three ideas connected to each other in an irrational way: the story of a cow being taken to the butcher, the description of simple pleasures, how to ascend to the top of a hill and descend in a wheelbarrow, and the portraiture of a several blind people. The great, big eyes of the cows are seen in contrast to the unseeing eyes of the blind people.

The first autumn snow is falling. At the same time a man passes away. Death comes with the beginning of winter.

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.

All the characters are in hell, but they act as though the are in a sitcom, with canned laughter. It's based on Arcana Celestia by Swedenborg, a Swedish esoteric theologian from the 18th Century who started seeing ghosts, angels and demons around him. Instead of seeing a physician about it, he accepted the fact and began studying and interviewing his own hallucinations, like an anthropologist. He was convinced that people in hell are happy, because you find what you want there.

A poet among architects and an innovator among educators, John Hejduk converses with poet David Shapiro at The Cooper Union about the mystery and spirit of architecture. His own sketches and structures are shown

Reworked and colored images of people playing at the seashore.

A woman and “witnesses” are interrogated for an unspecified crime.

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

Looks at two communities on either side of the Czech - Austrian border. There's an elderly man in Austria looking for a new wife, and he meets a lone single woman on the Czech side of the border.

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah’s guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

Never Sleep Again is a drama that follows three girlfriends who wander through post-wall Berlin. As they discover the eastern part of town they meet new people and learn about the places' history.

This groundbreaking documentary shows the remarkable Carnival celebrations — never before seen by outsiders — of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.