A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

A womanizing art dealer and a painter find the serenity of their Riviera vacation disturbed by a third guest, a vivacious bohemian woman known for her long list of male conquests.

Shot in 1967 but not released until 1975, actor Pierre Clémenti's acid-infused experimental whirlwind of color and music featuring a who's who of the French 60s underground.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

Rescued from abandonment and raised by the King and Queen, Oedipus is still haunted by a prophecy--he'll murder his father and marry his mother.

Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater

Just released from a youth detention center, Andrea (Helga Anders) is wooed by her boss' son and finds herself in a love triangle that defies the moral and social norms of the time in more ways than one.

The people often go through the same path that is previously made although even by a drunkard. They do not pay attention to its length or its form.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

A volunteer fire department throws a party for their former boss with the whole town invited, but nothing goes as planned.

A grim portrayal of the shift from Paganism to Christianity in medieval central Europe - as a young virgin promised to God is kidnapped and raped by a marauder who her religious father seeks to kill in return.

A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

A concise blast of feminist film making, Sander's first film is a tense yet playful four minute short that dissects a typical urban scene at a bus stop on a busy street in Berlin.

A frigid young housewife decides to spend her midweek afternoons as a prostitute.

A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.

The drama offers Arnošt Pánek, chairman of the National Committee, as the protagonist of the story. Pánek is disturbed by news of the arrest of his protégé Kvasil — chairman of a JZD agricultural cooperative in the nearby village of Spádová. He is responsible for the revival of a neglected village, but is now accused of theft, fraud, and — on top of that — the rape of an under-aged girl.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)