Egon Bondy prophesies the hell of global capitalism, Jim Cert admits to cooperating with the StB, Jaroslav Foglar cannot find a beer opener, while Ivan Diviscomments on his own funeral.

Ignacio Agüero follows the demolition and development in a neighborhood in the Chilean capital Santiago. Agüero contrasts the destruction and the tearing down of walls by monstrous grabs with a calm camera that glides along the houses.

A childless couple passes off an anthropomorphous tree stump as their baby, but things get out of hand when the thing comes to life and demands to be fed.

This fascinating documentary explores the collaboration between Marion Mahony, the first registered woman architect in the world and the longest serving designer in Frank Lloyd Wright’s practice, and husband Walter Burley Griffin. Their struggle with unyielding bureaucracy, the philosophies that underscored their life and work, and their passionate commitment to an architecture that expressed a balance between society and the environment and an affinity between the human spirit and the natural world. The film weaves together their personal and professional lives, drawing on archival and contemporary footage of their work, an extensive collection of photographs, the couple’s own correspondance and writing, and interviews with prominent architects, social historians and the people who knew them.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant fear of having her cover blown, which unavoidably happens after the German re-unification.

The Wake is the title of a large-scale multimedia project, the main element of which is an eight-hour long silent movie. The film is based on Finnegans Wake by James Joyce (London 1939), a limit-transgressing, perhaps even limit-dissolving book that not only transgresses the limits of what literature is and is capable of, but inscribes transgressions on almost all conceivable levels. It is at the same time dream book, history book and necrology. It is almost impossible to determine whether we are dealing with a long poem, a prose narrative or a piece of drama.

Two men and a woman are stranded in the Moroccan desert after a failed smuggling trip.

Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

Based on Robert Walser's play, Branca de Neve is a recital of Snow White over a black screen with spontaneous flashing images of clouds and some unintelligible dialogue.

A documentary about Eleusina. The past and the present, in complete antithesis, coexist in a place spoiled by modern industry but which long ago hosted the Eleusinian Mysteries, the secret ceremonies that initiated the ancient Greeks into the miracles of life, death and the afterlife.

Documentary with fictional elements exploring issues around housing in the United Kingdom.

A portrait of the widow of writer Toshio Shimao, living on an isolated island with her disabled daughter, shunning comforts and other company.

Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.

We're in a dining room, and it's mealtime. Marianne serves Jules' plate and goes back to the kitchen. With a little hesitation, Jules begins to eat. Between "You don't like it?" and "Yes, it's very good", we just attend a nerve-racking scene of married life.

experimental film by Les LeVeque