Realistic story of working-class Yorkshire life, alternately serious and light-hearted, as two schoolgirls have a sexual fling with a married man.

A man find A himself haunted by a mysterious black tower that appears to follow him wherever he goes.

The film documents the anti-Marcos revolution, the life of Oliver, child prostitution, and the filmmaker's own personal history, including his homosexuality, his filmmaking, and his travels abroad.

This movie is an experimental documentary following the flow of the Thames out of London to the sea. It has a narration from John Hurt that takes the form of reading old manuscripts, books and news articles, and also a posthumous narration from poet TS Eliot reading from his own work, The Dry Salvages from the Four Quartets. Engravings, paintings, and archival film are juxtaposed against the contemporary footage, including Pieter Breughel the Elder's "The Triumph of Death" (c.1562) from the Prado Museum.

Middle-class Parisian suburbs: Blanche and Léa, office worker and student, meet and become friends. Léa is going out with Fabien, but is thinking of leaving him. Blanche falls for Léa's handsome and witty friend Alexandre, but is tongue-tied whenever she meets him. Léa goes on holiday and Blanche, still smitten with the dashing Alexandre, begins to get to get know Fabien.

The film relates the painful ending of a love story binding an over-30-year-old woman and a North African, and the beginning and end of a relationship she also has with an “established” journalist. The stories illustrate the absolute claim of a woman who can understand love only in terms of life and death, an attitude that generally makes love appear dramatic, but at least burning and flickering, like the flame that glows in her heart.

And our old Emperor said: "Thank you, it’s been very nice, it was a pleasure!" (M. M.)

The birth of the alphabet.

LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence ... continuous and imperfect

A group of teenagers are mysteriously invited to a skiing workshop in the mountains. There are eleven of them, but the camp supervisors insist that there should be only ten, and that one of them is an intruder.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

The residents of a remote Swiss mountain village come to believe an ancient oracle in this drama taken from the novel by Charles Ferdinand Ramuz. With news of the Spanish Civil War on the radio, the people begin to believe the sun will not return and the world will be forever darkened.

Dr. Nise da Silveira was a Brazilian psychologist who developed pioneering treatments using art as therapy, starting in 1946. This trilogy of films focus on three patients and their methods of art therapy.

A poetic and timeless montage of documented industrial wastelands and Berlin cityscapes provides a gathering place for scenes from Ulrike Ottinger’s Berlin Trilogy.

H., 35, an Arabian immigrant, works as projectionist in an old cinema. One day, drawn by the music, he looks through the window of the booth and is fascinated: the dancer he sees on the screen seems to be looking straight into his eyes. He falls in love with her, but the vision last only a moment. Shortly afterwards, an elderly man storms into the projection booth and claims he is his uncle.
 H. wants to prepare a meal for him and reaches for the oil bottle: he sees the same dancer on the label…. H begins to find echoes of his own life in the images he projects. Everything changes when fiction and reality merge...

Professor Taranne, a conceited university Professor, is subject to several absurd and disquieting incidents from the world surrounding him. He is being accused of things he couldn't have been doing. He starts doubting himself - a self that might be fragmented or multiple.

Valtos is a project for a film to be made twice. It is a story told from thirty years hence, in the last moments of its narrator, who awoke one day in 1987 ‘with the knowledge that I had been duplicated during the night, and that I was an inferior replica of myself’. There follows a relentless, epic, pursuit of an absconding phantom – his ‘original’ – which ends in catastrophe at Valtos, a place at once ethereal and terrifying.