Guillermo's fate hangs in the balance as the vampires receive a promotion.

As they prepare to attend an exclusive event on the vampire social calendar, the vampires try to survive without Guillermo.

When Nandor and Laszlo are abducted by a coven of witches, the others must venture to Brooklyn to rescue them.

Nandor's old familiar from the 1970s returns to Staten Island; Guillermo leaves to serve a new master; Nadja and Laszlo revive their musical act.

The vampires offer shelter to an old nemesis who's down on his luck.

After a vengeful enemy from the past appears without warning, Laszlo flees his home and goes into hiding to avoid certain death.

Colin Robinson gets promoted at work and his new power threatens the balance of power in the vampire house.

While the vampires fear they've been electronically cursed, Guillermo tries to thwart a deadly threat to his masters.

The vampires attend their first human Super Bowl party, while Guillermo's search for virgins uncovers a deadly threat.

The vampires hold a seance to deal with a ghost infestation, which leads to a larger infestation.

Nadja and Laszlo's new familiar poses problems for Guillermo, and the vampires enlist the services of a local necromancer.

Nandor visits one of his living descendants; a lover from Nadja's past reemerges.

Tensions run high as the vampires prepare to host the Biannual Vampire Orgy.

Nadja trains Jenna on how to take her first victim, and Nandor applies for American citizenship.

The vampires must defend themselves as an international vampire tribunal gathers to judge them for their transgressions.

The Baron awakens from his slumber and demands to experience the wonders of the New World in a night out in the town.

Laszlo, in bat form, is captured by Staten Island Animal Control and must be rescued, while Nadja can no longer resist reconnecting with her reincarnated lover Gregor.

The vampires venture into Manhattan, to make an alliance with an old friend who is now the king of the Manhattan vampires.

The fragile truce between the vampires and Staten Island's werewolves is tested; Colin Robinson finds romance with a new coworker.

The vampires get embroiled in local Staten Island politics as their first step to world domination.

The vampires try to plan a lavish blood feast in honor of a visit by their ancient master from the Old Country.

Enchanted by a child’s curious gaze, An Urban Allegory is quintessential Alice Rohrwacher. Together with street artist JR, the supernal filmmaker assembles a kaleidoscopically playful vision of art, tracing how it moves through this stage of magical light and alluring shadow we call the world.

"Three Corners of Deception" is a story about how a college law professor and an attorney fell in love over a Las Vegas Memorial Day weekend. They got married shortly thereafter, then started a family only to realize he wasn't the man he said he was and a complete manipulation of the relationship occurred. The marriage ended hastily after a year, only to be carried out in a court of law that brought even more deception than what was originally thought. Eventually the court would rule against the mother in all areas due to judicial deception with judges, lawyers, and lawmen involved. They were part of the "good ol' boy network."

As junkie poet Peyman attempts to finish a poem, his city of Tehran falls prey to pollution and a lethal virus.

Motivated by the public rape of her best friend in the streets of Cairo, the Director uses her camera as her weapon against sexual harassment and embarks on a journey of self-awakening as she confronts her own haunting past.

Yang Guo, a girl who lives with her aunt's house, is in a dilemma after witnessing an accident by her friend. In the summer when she was constantly struggling to escape from the small city, the girl gradually gained the vague consciousness of a woman, learned to face life, face herself, and grow up.

What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.

Alexander’s transgender identity means he is obliged to lead a life of secrecy in his home country. Being identified as “female” in his passport means he cannot legally find work, either. Since even a visit to the doctor is a risk for him, he has begun hormone therapy to transition on his own with support from internet forums and the local transgender community. Desperate to escape their hopeless situation and leave the country, Alexander’s wife Mari decides to become a surrogate mother for 12,000 dollars. But their ostensibly pragmatic plan backfires when Alex and Mari gradually develop an emotional bond with the unborn child.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

A Spanish teacher and her student develop an unexpected friendship.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

Nelly and her dog London are about to spend autumn break with her uncle Hannibal. Soon she noticed that he doesn't live a quiet life. Her uncle is a Monster agent. Nelly gets dragged in to an adventure filled with ghosts, vampires and werewolves.

Bahman, Mahtab, Ramin and Donya Mehdipour are enjoying a perfect summer in a small Finnish town. Their routines are fractured by a negative decision on their application for asylum by the Finnish Immigration Service. But life must go on and the 13-year-old Ramin is about to enter an entirely new school, junior high. The Mehdipours use their last chance to appeal but continue their everyday lives, fuelled by their exceptionally positive outlook and attitude.

Etienne is taken by his friends to a prostitute for the first time. Three troubled teens on their way to win their acceptance into manhood. Though several unexpected occurrences take Etienne on an unforeseen journey into himself.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

A retrieved picture of a window elicits memories and the impulse to recreate a lost site. By this same window, an eight year old child feels the cold air on his face and imagines the future.

A campsite in full summer is startled by the sudden disappearance of a six-year-old boy. We see the events through the eyes of little Lucie and her older brother Jeroom.

The film is about the transformation and inner liberation of the protagonist, who found himself in the bleak sequence of everyday life of an office worker.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

It’s hot and the holidays are coming to an end. Arthur, Yuna, Lucie and Jurijn are restlessly circling each other, desperately trying to connect. A film about the drama that is puberty, as unpredictable as the emotional roller coaster of these adolescents.

How do you stage a miracle healing? Protagonists are cast and different variations are tried out, improved and discarded. Boundaries dissolve between church and theatre, faith and credibility.

The camera wanders through two stately homes , both of which are now open to the public as museums.

During a conversation late at night, a woman asks her mother how to be a good person.

Birds from six continents on a zoom call gossip about the deaths of Egyptian filmmaker Shady Habash and Egyptian queer activist Sarah Hegazi.

A featureless street on an industrial estate in Bonn – desolate, unfinished and inconspicuous. The street bears the name of a child. It is meant to commemorate the racially motivated terrorist attack that this child did not survive. A public memorial, consigned to no man’s land. A film against collective amnesia.

Looking like a rediscovered film reel from the early days of cinema and with its "animal drag" costumes, this Dadaist nature documentary imagines a utopia where any and all life forms are equal.

On a slag heap, where coal miners used to tramp, men are now awaiting each other.

A young motorcyclist rides and rides in circles on his motorcycle. The more he rides, the more beautiful he gets. Is his beauty his, or does his beauty belongs to the others? Is he playing the game of the world, or is the world playing his game? Where does he ends and the world begins? Is he inside of himself or is he outside of himself? And is there such a thing as being "inside" or "outside" when you are THIS beautiful?

The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.

On a rainy night, a sad man leaves his home to deliver a letter to someone who recently left him. At a corner, he meets a woman who warns him about the slippery road. This is how I met Diana. Suffering from a heartbreak, Gonçalo falls from his motorbike.

A commercial commissioned by FIRST film festival and LEXUS company. Sort of sequel to Zhang Dalei's The Summer Is Gone.

In intimate close-ups the camera captures an idyllic scene that seems to belong to a different era.

Berlin, the Prenzlauer Berg district. Daniel is a movie star accustomed to success. His loft apartment is stylish and so is his wife, and the nanny has the children under control. Everything is tip-top, bilingual and ready for him to jet off to an audition in London where a role in an American superhero film awaits the celebrated German-Spanish actor. Popping into the local bar on the corner, he finds Bruno sitting there. As transpires by the minute, Bruno has been waiting for this moment for a long time. And so this eternally overlooked man – one of reunification's losers and a victim of the gentrification of what was once East Berlin – takes his revenge. With Daniel as his target...

Laurent, a young brigade commander in a gendarmerie in a small town in Normandy is planning his wedding with Marie, his partner and mother of his daughter. He loves his job despite facing social misery on a daily basis. One day, a farmer who might try to kill himself runs away.