Reveals various aspects of the construction of the dam network in that river basin

Mihai Toth worked for forty years as a watchman in a timber warehouse. On his last watch, there was a fire: the warehouse burned to the ground. The damage amounted to one and a half million forints. It was a terrible blow to Mihai, who had worked honestly all his life. Suddenly it turns out that Mihai has won one and a half million forints in a lottery. Wanting to save his good name, he wants to deposit this sum in the state treasury. But it turned out to be not so easy: the cause of the fire has not been established and Mihai's guilt has not been proved. That's why nobody had the right to take money from him. For a long time Mihai wandered from one institution to another with a request to accept money from him, but everything was in vain. Then the old man tried a trick...

Eve, the old professor zsongják beautiful wife surrounded by colleagues. When the professor's going away for a conference abroad, intensifying the suitors attempts. Eve, however faithful to her husband, so that the denials are increasing. Oddly enough, the rejected accidents ...

Mrs. Holló reports the case of three missing persons to the police. During the investigations, the captain realises that there is nothing to deter Mrs. Holló from her trying to overcome loneliness.

Everyone loves little Junior, but nobody has time for him. So Junior decides to find Time with the help of his friends - dwarves.

Öcsi is going to have a little brother. The little child is sulking, he is deeply hurt because he learns the great secret not from his parents but his best friend, Évike.

"Don't give up your dream" - this is how Demjén Ferenc's song goes and Gyuri darts along the endless fields on a white horse. The young crane-operator lives in a small larder-room, where he has to hang his chair on the wall and the tap drips. He has to share his mornings with his two dream "man-hunters", his father and his brother, who feel that he does not belong to them because of his desires and ambitions.

A group of children are spending their summer in the newly built district which doesn't have any attractions...

Five old men and a kid are travelling in a train's cabin without purpose. They travel because it's free and they don't have another place to stay. From their conversations we learn the tragedies of their lives. Also the hidden interlockings of their faith will out slowly.

Buda, 1851. Jeromos Hétszáz, a puppet maker living in Óbuda, and his wife, Óguszta, a childless couple, have given refuge to the orphans of those fallen in the war of liberty or jailed, most recently to Pál Penyige and Borbála Derelye. Overjoyed when the chief of police orders fifty straw puppets, they are distressed on learning that the puppets will be publicly hanged in effigy of Lajos Kossuth and the leaders of the war of liberty.

Kees Hin’s acclaimed depiction of Berlin in the 1930s. On the basis of recollections recorded on video, Kees Hin and K. Schippers created a ‘theatre of memory’ where former residents of Berlin look back on the downfall of that bustling metropolis and the rise of Nazism, which led to them fleeing.

When Laura was six, her parents got divorced and her father disappeared from her life. The happiness she experienced on her final journey with her father, when he danced with her at a flea market in Brussels, holds a special place in Laura's memory. When Laura finds the shadow puppets her father once bought for her in the attic, these open up a portal to the past for her.

The importance of the Atelier as a meeting and working-place for independent or beginning filmmakers is highlighted in Last days of Studio Frans van de Staak a necrology of his films by Kees Hin (2002), which focuses mainly on Van de Staak's non-naturalistic style of directing actors.

During the International Film Festival Rotterdam in 2002, Leo Hannewijk (festival director Film by the Sea) approached filmmaker and producer Digna Sinke with the idea of asking several film makers to make short films based on poems about the province of Zeeland. It would offer an opportunity to investigate the limits of the medium film and, just like poetry, not to focus on the story but to tackle universal and grander themes through mood and form. In the end, eight short films were realized, by eight different filmmakers. The films are connected by intermezzi, aerial shots of the Zeeland coasts. Poems of the Sea is a stirring and surprising portrayal of Zeeland. Filled with desires and passion.

He was always busy making the absolute painting, one of Jaap Hillenius' sons says about his father. The artist who was killed in a car accident in 1999 steadily built, averse to conventions and trends, an autonomous oeuvre, indefatigably looking for the ultimate beauty.

This film is about the cow living in an polluted enviroment.

Animated TV magazine for schoolchildren, including the cartoons "A Box with Pencils", "Have You Seen a Hare?" and "Rubik's Cube - clowning".

Based on the story "Back" by A. Valton. Music used by Arcangelo Corelli.

A hand-drawn animated film for adults "#Barrel" based on the story of the same name by the Estonian writer Arvo Valton. A man obsessed with an idea ordered a large barrel from a cooper and settled in it so that no one would interfere with his work. Having isolated himself of his own free will, he ended up being superfluous in the company of people.

A young girl gives up high school to help out family expenses and starts to work as a bus conductor.

An archival documentary made up of excerpts from Jacques Tati’s movies and unseen images of a genius at work.

A commemoration of the 6th anniversary of the beginning of the Cuban revolution. 500,000 campesinos invited to celebrate the occasion pour into Havana.

During the second world war two friends work at a remote railway station in the steppes. When one dies the other’s request to bury him according to Islamic rituals in a sacred place is denied by the Soviet authorities, who use that place for rocket testing.

Since the late 1960s, the almost annual productions of Richard Foreman’s Ontological-Hysteric Theater have been among New York’s artistic highlights. A legend of the avant-garde theater, Foreman is also a passionate film fan, whose taste ranges from American avant-garde to Manoel de Oliveira. ONCE EVERY DAY marks his first foray into feature filmmaking in 35 years. Highly visual, complexly edited and without a traditional narrative, the film zeroes in on a group of 25 people acting out a series of semi-ritualistic behavior patterns. But their eccentric impulses are aborted in unpredictable ways with each attempt at action or development. According to the director, “The film slowly evolves a time-mosaic of reformatted consciousness.” Longtime admirers of Foreman’s work will see an intriguing adaptation of his unique theatrical style to the cinema. And for everyone else: Welcome to the extraordinary world of Richard Foreman.

Quite possibly Foreman’s strongest digital video, NOW YOU SEE IT NOW YOU DON’T brings together a variety of different elements, including excerpts from Foreman’s own public talks about his work, a 1984 sound recording of his French-language theatrical adaptation of Kathy Acker’s "My Life My Death by Pier Paolo Pasolini," text from Leo Charney’s book “Empty Moments: Cinema, Modernity, and Drift”, and music from John Zorn and John Cage. These materials are integrated into a typically dense and confounding aural, linguistic, and visual web, one that’s in many ways like a filmic analogue of his theater work. But NOW YOU SEE IT NOW YOU DON’T is distinguished by the addition of various kinds of image processing, a liberal and eccentric use of onscreen text, and an uncharacteristically personal, reflective tone

Documentary follows the life and travels of a group of professional rodeo cowboys.

Taking advantage of a new government education program, a farmworker trains for a better-paying job as a welder.

Documentary about teenage life in the mid-60s.

Saturday Morning by Kent Mackenzie

“In-Side-Out” is the debut film by US beat poet George Moorse, a wildly colorful pop poem. The film critic Enno Patalas described “In-Side-Out” as a “fantastic abracadabra and erotic delirium” and considered it the best West German film at the 1965 Oberhausen festival. “In-Side-Out” was also the LCB's first film production: the cheerful and colorful kaleidoscope of romantic love, told as an associatively swirling sequence of images.

ZERO IN THE UNIVERSE is a comedy, a cryptogram–a message in code to the viewer. Who is Zero? What universe? What is the opposition of Zero and his arch enemy, Steinmetz? What does it come from, and where, if anywhere, does it go. The film presents abundant clues, but the answers are never stated. –J. L.

The story centers on the Roman merchant Piacchi, who raises the foundling Nicolo after the death of his son and bequeaths all his possessions to the young man. However, the adopted son turns against Piacchi and his wife.

Experimental fiction film about young people taking on different creative tasks.

In a musical pop horror slapstick crime grotesque a broker wants to sell a group of hippies a haunted castle.

Two surveyors come under the spell of the beautiful Vampira. Vampira then celebrates occult magic rites with her new companions in her castle with the Alder Queen Belladonna, a sorceress, a hunchback, and a werewolf.

Munich Film Festival 1983.