An African boy receives a paper snowflake in a letter from a friend. He puts it under his pillow and falls asleep, dreaming that one day he will see many such snowflakes. The next morning a real miracle happens: his wish comes true and it starts snowing in Africa.

Ana and her son Mateo live in a middle class apartment in Mexico City. The family routine takes a turn when Juan arrives to visit them after several years of absence. The reunion unleashes memories and secrets of their past that Ana will have to confront in order to find, at last, the peace of mind that has been lacking for so long.

A few miles from Els Gorgs lies the village of Argelaguer, where Josep Pujiula by himself is building (and re-building) his dream.

"L'Architecte de Saint-Gaudens" is a musical and choreographic film. An architect sings, while he strolls about, about the buildings he constructed in a small village in the Pyrénées. He is accompanied by the inhabitants, who sing and dance in their homes, workplaces, and places of study. A dialog takes shape between the architect and the population about his work, its paradoxes and its rules.

The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.

Møn Island, Denmark. Sonja asks Anna, an aspiring singer, to visit her childhood friend Julie, Sonja's daughter, who is obsessed with an ancient myth. Anna tries to cheer Julie up and convince her to give up her fantasies. (Remake of the short film “Sombra,” 2017.)

A young man takes his love for lizards to the extreme.

Shot entirely from a boat on a lake, this evocative film confronts the viewer resolutely with his or her sensitivity for the moment. Surrounded by sounds of animal life, both from the lake and the neighbouring forests, this film takes us through the seasons. Sounds of water, the wind and a human presence.

One winter day, nobody comes to see a play. One of the drama’s actresses becomes angry and leaves the theater. She goes to a park, drinks and meets people.

A short film that explores gay male psychical intimacy, with some explicit nudity scenes. Matt, a gay man in his late twenties, navigates the lonely intersection of carnal sex and human closeness. With the arrival of Luke, a new man in his life, he finds a way to reconcile pleasures of the flesh with the new aroused imperatives of the heart.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

Andrew Graham-Dixon looks at neglected, but rich German art from the time of the Middle Ages.

In 1979, two decades before the Columbine High School Massacre, the idea of children being targeted for mass slaughter in the sanctity of their school was inconceivable.

Donkeys follows two down-on-their-luck best friends as they try to enter the crime world, only to quickly realise they are way out of their depth.

Art experts track down the work of of some of the biggest names in art that are lying hidden away in museums, art galleries and country houses around the UK.

It's little Edo's birthday, and the whole extended family is gathered around the table. Only Uncle Roman is missing... Soon the man appears, but instead of a gift, he brings a live grenade in his hands.

In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world's most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness.

Ilya Goryunov has spent seven years in prison on false charges of drug trafficking. When Ilya is free he realizes that the old life that he yearned for is no more. Although he did not intend to take revenge on the man who sent him to prison, now there is no other way out.

Under Heaven, written and directed by Dalmira Tilepbergen, is a modern day re-working of the biblical tale of Cain and Abel, set in a remote mountain village in Central Asia. Two brothers, rebellious Kerim and conscientious Aman, live with their mother and work at the family stonemason business. Their father has been forced to work away in Russia in order to pay off Kerim's debts, incurred as a result of his eldest son's drug dealing activities. The brothers both fall for a local village girl, Saltanat, which ultimately leads to a bitter dispute and unforeseen and tragic consequences...

A film about architecture and our personal relation with it.

Heliopolis Heliopolis was the name of a metropolitan simulacrum devised as a training tool for urban planning at the NoUn School of Architecture in Egypt in the 3rd century BC. Heliopolis Heliopolis was created by an insurgent priest (whose name has been lost) as a tool to train students in the design of a revolutionary city meant to surpass the ancient city of Heliopolis. This in spite of the fact that the priest and his students appear never to have visited Heliopolis and based their model exclusively on texts and secondhand knowledge. Eventually this became a source of pride within the school and descriptions of Heliopolis gained a fantastical nature, becoming both meticulously elaborate and wildly implausible. Heliopolis Heliopolis is a cinematic interpretation of the simulacrum and the hypnotic, trance-inducing ritual connected to its use.

Avignon. Irma, who doesn’t seem to find her place in the world crosses paths with Dolores, a free and uninhibited woman who is in a mission to write a gay-friendly travel guide on a forgotten area in Provence. The unlikely duo takes to the road and contrary to the saught after pittoresque and sexy Provence, they discover a world more complex and a warm-hearted humanity, struggling to exist. For both of them the trip becomes a initiatory journey.

Originally filmed in 16mm in the remote Cyprus landscape, Chapters is a lyrical series of meticulously staged scenes, in which Epaminonda transforms her home country into a backdrop for a multitude of mythological identities with underlying narrative elements of love, longing, afterlife, and ritual. Epaminonda draws together a spectrum of cultural influences such as the frescoes of Renaissance artist Fra Angelico, the films of Sergei Parajanov, Pier Paolo Pasolini, and Alexander Jodorowsky as well as the Japanese Kabuki theatre and Dante’s Divine Comedy. The fixed frame of the camera shapes the film as a continuously evolving, never-static series of ‘pictures’ or ‘tableaux’. The viewer is led into an associative journey that is constantly altered and recombined by the action of chance, time, and the viewer’s gaze.

Violette lives in the country with her parents, wealthy Picardie land owners. Gabriel works as a cashier in a supermarket. On the face of it, both of these two young people appear to have led ordinary lives without incident, and yet they both have dark secrets and a yearning to escape from their stifling present reality. Their chance meeting will set them free, but with unexpected consequences...

In the summer of 1931, with Germany on the brink of economic collapse, and the city of Berlin turning into a paramilitary war-zone, audacious young prosecutor Hans Litten (Stoppard) chose to summon a star witness to a trial of Nazi thugs. In spite of the risk to his own safety and against the advice of those who love him, Litten forced rising political star Adolf Hitler (Hart) to make a sensational appearance in the witness stand of Berlin's central criminal court. Litten aimed to expose the true character of Hitler and his politics to the German public, to reveal his hypocrisy and his violent ambitions, and in doing so, halt the electoral success of the Nazi Party. In a humiliating and hostile cross-examination, Hitler was forced to account for his political beliefs, his contempt for the law and his desire to destroy German democracy. For a brief moment, Hitler's political future was genuinely in the balance.

The motivations of two men running an illegal assisted suicide service to help relieve suffering change with the the appearance of two very different women in their lives.

Lonely, unstable gas station attendant Melinda is tired of being overshadowed by her more confident, outgoing co-worker Sheila. When the gas station is held up at gunpoint by Billy, a desperate man in need of quick cash, Melinda finds an opportunity to make a connection with the robber, regardless of who gets hurt.

Hypnotising slideshow of weathered images presents itself as a relic of an imposing event. A village's inhabitants flee into the darkness of a cave to refresh themselves with projected images. Ultimately, they will pay a high price for their wonderment.

Set against the haunting backdrop of a small lake town, this chilling thriller unravels a meticulous revenge set over a period of 7 years, all beginning with the accidental death of an innocent girl.

Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation. The flag, situated in what is officially understood under international law to be ‘Turkish occupied’ northern Cyprus, is accompanied by the legend ‘Ne mutlu Türküm diyene’ (‘How happy is he who can say “I am a Turk”‘). The statement, a quote from the founder of the Turkish Republic, Mustafa Kemal Atatürk, is clearly legible from the south of the city and its surrounding countryside.

After performing a charm that would supposedly unite them as friends, a group of students are teleported to the mysterious Heavenly Host Elementary School where they are visited by the spirits of the school's murdered students.

This documentary film examines, dissects and all but lobotomizes the wealth of music, literature, theatre and film that have assisted in creating Waits legendary genius and, results in hand, reviews the life and career of Tom Waits from this fascinating and rarely identified viewpoint. With exclusive interviews, rare and often previously unseen footage and contributions from Toms legendary producer Bones Howe Moris Tepper and John French from Captain Beefhearts Magic Band and occasional TW collaborator, Ken Nordine Harry Partch associates David Dunn and Dean Drummond BBCs head of music Chris Ingham Beat-era scholar John Tytell plus Tom Waits historians, music academics, and respected writers. Also features numerous seldom seen photographs, much archive film and a host of other features which all at once make for an educational, inspiring and joyous celebration of Tom Waits and those he holds close to his heart.

A community of monks lives isolated from the world, practicing martial arts and following the master’s strict rules. This film investigates their harsh life and the flow of Time in unique closed environment, to approach deep motivations of a radical choice, and the reasons that pushed the monks away from their affections.

High Tension, Inside, Martyrs, Frontier(s) and Them. In the years of 2003 to 2008, those sensational and innovative horror movies were made and left huge impact around the world. This movement is called New Wave of French Horror. This film explores the meaning and hidden secrets of this significant movement.

Tony and Phil join researchers from Birmingham University excavating the site of William Shakespeare's home, New Place. Containing some 20 rooms, it was at that time the town's largest private house. In 1702, however, a new house nearer to the street was constructed on the site, and the exact placement of New Place was lost. New documents provide some clues for the excavation. Meanwhile, Tony traces Shakespeare's life, from his parents' family home to The Rose Theatre, Mary Arden's Farm, and the Globe Theatre.

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

The Red and the Gray is a documentary essay proposing an adaptation of Ernst Jünger's famous war tale, Orages d'acier, from several thousand German-made and mostly unpublished photographs.

It's the end of summer in Mafrouza, a shantytown in Alexandria (Egypt). Preparing tea, preaching, messing around, making babies, dancing, singing, swimming... The camera follows the people of Mafrouza as they patiently reconstruct themselves and the world around them. They show some kind of an incredible strength of life, some kind of a crazy capacity for happiness, that enables them to grin and bear the harshness of the material conditions. This may sometimes appear to be pure miracle, but turns the neighborhood into a space of vitality and freedom. What is to be Done? is the third part of the Mafrouza film project that includes 5 installments, shot along two years in the area. Each film can be seen independently.

Two Moldavian friends begin a journey full of adventures and suspense trying various business ideas in order to earn enough money to achieve their dreams.

Narrated by Sir Christopher Lee as Roderick Usher summons his boyhood friend to help him ease his decaying condition. The death of Madeline Usher, last in the line of the Usher family precipitates Roderick's descent into madness and death.

Devastated by the First World War and plunged into political controversy, Romania's every hope accompanies its Queen on her mission to Paris, to lobby for its great unification's international recognition at the 1919 Peace Talks.

Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.

This collection of the historically vital works of America's legendary first African-American filmmakers is the only one of its kind. Funded in part by a highly successful Kickstarter campaign, the packaged set includes no fewer than a dozen feature-length films and nearly twice as many shorts and rare fragments. Subject matter includes race issues that went unaddressed by Hollywood for decades.

Natural devices are used directly during the shooting process to transform the image with the help of moving mirrors, animated by the surface of water waves and other tremblings on lake surfaces, as well as other bodies of water in the natural space of the Paris urban area.

Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

After André Levesque missionnaire, Oksana Karpovych is back at the RIDM with her first feature, which she filmed in her native country, Ukraine. To take the pulse of the country, the filmmaker adopts one of documentary cinema’s most prolific sub-genres: the train film. Filmed entirely in the old, run-down, overcrowded passenger trains used by ordinary Ukrainians, the film captures conversations, observes the landscape, and accompanies several protagonists on their journey; they open our eyes to popular preoccupations in a country that seems perpetually anchored in its highly visible Soviet legacy. A fine lesson in listening and humanity.

In 2040, a generation of Torontonians have grown up after the economic collapse of the west. The movie consists of episodes of a documentary series popular in mainland China about the bad jobs some white people have -- the plucky and resilient souls unlucky enough to be born into the slums of North America are both amusing and moving to the Chinese audience. Oscar is a digital janitor, and has to manually cover up logos for copyright reasons in the future's answer to Google StreetView maps. Gary and Karen assemble robot baby dolls for the children of the wealthy in Asia. Anton and Toph are spider silk collectors. Serina is human spam and makes a living by mentioning brands and products in casual conversation.

More than simply mapping a journey across the country, this film presents a map of Daniel & Clara's engagement with the images of the landscape. By reducing them to impressions, fragments, fictions and forms, the recorded images/sounds are transformed into “artefacts” which, when presented in the sequence of a film, activate narratives, ideas and sensations in the viewer. Central to the film are scenes shot at the Neolithic mound and stone circle of Avebury, motifs that speak of the long and complex relationship humans have to their environment and how through art and ritual we seek to understand our place in relation to it.

Nature, science and mythology are explored through the eyes of an eleven-year-old botanical prodigy.

The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.

Leeds born filmmaker David Nicholas Wilkinson's thirty three year quest to prove that the worlds film industry started in Leeds, Yorkshire, England in 1888.

This is a film about a time that we will never be able to return into. In the 1990s, cult cafe Suokalbis in Vilnius was already riding into the sunset of its existence, though it was still a gathering place for various artists of all ages, visitors and students of all kinds.

For a decade Kenya has been targeted by terrorist attacks of the Al-Shabaab. An atmosphere of anxiety and mistrust between Muslims and Christians is growing. Until in December 2015, Muslim bus passengers showed that solidarity can prevail.

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

Elene is an 80-year-old writer who lives with her family, forced to stay home due to health conditions. Her comfort is cracked when her daughter's mother-in-law, Miranda, a former Soviet official, moves into the apartment, and Elene receives an unexpected call from an old love interest, Archil.

The historic story of Eugene Victor Debs, an American Socialist leader and union organizer during the Progressive era, 1900 to 192, who ran for US President on the Socialist Party ticket (SPA) five times, even once while he was in prison for speaking out against the US involvement in World War 1.

The story of one of the most prominent Coahuilenses characters in the world of culture, the poet Manuel Acuña.

Film is about man‘s "dick-based" thinking which leads to a primitive and desolate existence. But sooner or later even in the most impassible creature a feeling awakes.

This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.

A man in a mask interrupts a couple's alone time.

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the “stone house” in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It’s a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears.

Focus, sound and editing are used to convey the intensity and serenity of Buddhist meditation and ritual.

In the missionary jungle, Ismael Guzmán, a seasoned park ranger, patrols the reserve daily in search of poachers. Orlando Venneck is a beloved settler in the area and, like his ancestors, he is a hunter. Sara Voguel, a committed rural doctor, is married to Guzmán and used to be Venneck’s fiancee. Both venerate the mountain in their own way, but a jaguar appears and this generates a confrontation between them. Behind the tourist postcard of the park hides a world besieged by passions, conflicts of interest and fights. The spiral of violence will become inevitable and blood will flow.