“Great Poetry” is about two guys who live on the outskirts of Moscow and work as cash collectors. They’re young, lonely, and all they have in the world is each other. They spend their lives moving money for other people. They attend a poetry class at the local cultural center and watch cockfights at a dorm for migrant workers. Their attempts at finding poetry in the prosaic world around lead them to the conclusion that the only poetic move they can make is to rob a bank. The film isn’t about words or rhymes. It’s about friendship and betrayal, and about our vicious and alien world in which anyone who tries to be honest and consistent ends up looking naïve and cruel. It’s about the everpresent and incomprehensible force that — in spite of everything — makes our life so frantic, strange, and lonely

When a Siberian state forest guard discovers he has cancer and only two months left to live he chooses to take the identity of a woman as a way of fighting the disease.

A girl is looking for an answer to her continuous break-ups. She decides to meet all her ex-boyfriends to ask them why they broke up with her. Will she find an answer? No. Will she find her true love? Definitely yes.

A teenage boy feels infatuation for the first time.

About men, about women, about essential reality of their relationships in bright and good looking Moscow. The whole film is the lecture about love like it is a child of chemistry and psychology. During this lecture we are watching through five or even more love stories about couples trying to pretend that relationship they have is special and outstanding. But the most valuable words said already at the beginning by the woman from the first couple: 'Let's go home. Will be living'. And these words mean the end of love. And the beginning the same time.

He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.

In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.

Two people play out a story of love.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

A young man who writes avant-garde plays in the Russian province tells the story of how he voluntarily let himself be admitted to a psychiatric ward to avoid military service.

Young people struggle to do things their way in the 1950s.

The film takes place a few years after the events shown in Bummer. Kostyan "Kot", who lost all his friends, the woman he loved and was nearly killed in the first installment of the film tries to begin a new, peaceful life. But is it possible to do? Has Russia changed and do "bratki" on black "bummers" no longer control business? Can he escape his past?