A successful artist, married to a famous composer, must suddenly deal with a number of crises, from the death of the family dog to the illness of her father and absence of her husband.

Young Franciszek witnesses a church painting theft and films it. He is not going to reveal the perpetrator to the police, however, but to blackmail him.

On an ordinary winter's day, various people from outside Warsaw come to the Polish capital city for different reasons. They all have something to deal with, and their paths eventually intertwine.

In a small village a couple fails to conceive. One day the man brings home to hide a Jewish woman whose family was murdered.

Episodes from the last few years in the life of iconic Silesian poet Rafal Wojaczek. His provocative and scandalous life as well as tragic premature death made him a true literary legend.

During World War II a group of safe-crackers sets off on a mission to steal gold from a Nazi bank.

A story about the last days of the life of the poet Heinrich von Kleist and his beloved Henrietta Vogel.

A classical singer who put his career on hold to raise a family gets a big break when a major company hires him for a televised New Year's Eve concert, but his shot at fame is threatened when, against his better judgment, he goes out on a rainy night and gets a cold.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student (Dominika Ostalowska) puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old (Karolina Ostrozna) informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover (Irina Alfiorowa). The drug dealer, taken prisoner, must decide whether or not to trust his wife (Katarzyna Figura) with his hidden loot. In the wrap-up, the elderly accountant (Jerzy Nowak) passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay. Shown at the 1997 Venice Film Festival, this film is also known as Love Stories.

Turn-of-the-century Hungary. Two young brothers, neglected by their cold and uncaring mother, descend deeper and deeper into psychosis, with tragic consequences.

In the midst of WW I, a doctor and a lawyer team up to turn a ramshackle old mountain chateau into a sanatorium/health spa that caters to the afflicted from most every stratum of European society, most of whom show up with false hope in their hearts and plenty of equally false identities. Even the proprietors have a few deceptions, chief among them is the part of the resort where they provide shelter for dying and horribly maimed soldiers. Still the atmosphere of this high-class convalescent home is that of great gentility that thinly disguises the seaminess of the guests' secret activities. Though much of the film is a quirky comedy, tragedy comes creeping in when people begin dying of unnatural causes, and not even the pure mountain air can save the owners and the residents.

A grieving man tries to find the cause of his young wife's suicide by spending the night next to her dead body and bringing back memories from their past.