2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

A female director explores the connection between the life and work of Federico Fellini and Jungian analytical psychology. Through Fellini's The Book of Dreams and other autobiographical texts, she weaves together the fragments of a dialogue between Fellini's feminine interior voice, the Anima, and the shadow of his unconscious, documenting Fellini's inner quest through the dark parts of his psyche.

In 1950s Italy, two middle-aged brothers go on a magical odyssey through their past as they take part in the world's most beautiful car race: the Mille Miglia.

Interviewed participants and clips shed light on: Whether Fellini used scripts or improvised. The extent to which actors made sounds on the set that were totally changed in dubbing. The casting of unusual looking people even in bit parts.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...