Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.

The bloodstained bed suggest a crime..No answers are given, after the torrrent of words at the beginning of the film, all the film offers are closed images and more questions..Is it even blood on the bed, what fracture is there between seeing and certainty? If there has been a crime, 'she' might still be victim..How can a crime of such complexity and continuity be 'solved'? The voice searches for clues, sifting through them, reading and re-reading until the words and letters loom up nightmarishly, no longer hung on the structure of language.

The life and work of Gertrude Stein (1874-1946), an American writer who lived in France for more than half of her life ("... not the half that made me, but the half when I did what I did..."), presented in a montage of her autobiographical texts, with pictures from today mixed with archives from the past.