Juste un Mouvement is a free take on La Chinoise, a Jean-Luc Godard movie shot in 1967 in Paris. Reallocating its roles and characters fifty years later in Dakar, and updating its plot, this new version offers a meditation on the relationship between politics, justice and memory. Although not anymore alive, Omar Blondin Diop, the only actual Maoist student in the original movie, now becomes the key character.

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself.

A 1965 film by Hubert Knapp.

A film about Eric Rohmer, Paris, and the pleasures of cinephilia. Between the late 1950s and mid-2000s, legendary Nouvelle vague cinéaste Eric Rohmer made over twenty feature films, short films, and television documentaries on location in Paris. Rohmer in Paris explores his relationship with this most cinematic of cities. Combining elements of essay film, biographical documentary, speculative fiction, and mashup, Rohmer in Paris provides an unconventional tour of Rohmer's films, of modern Paris, and of how we engage with cinema.

Mirror film, intellectual game, tribute to Jean-Luc Godard and "Breathless". The narrative plot resumes the transposed history in post-Soviet St. Petersburg.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

The famous French film director Jean-Luc Godard is interviewed by British film theorist Peter Wollen and the editor of Framework Don Ranveaud. He talks of the developments in his work, the change in style epitomized by his most recent film, Sauve Qui Peut, his work with Francis Ford Coppola and the relations between his previous films and the new one. He also discusses his radical method of scriptwriting and the critical responses to his latest film.

Documentary by Luc Lagier exploring Godard's career as a filmmaker, the production of Breathless and his influence and his relationship with American cinema.

Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.

A biography of the great French director made for 3DD, featuring interviews with Anna Karina and Mike Leigh among others.

Documentary about director Jean-Luc Godard and Anna Karina.

In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Luc Godard’s conversations with Dominique Païni, Jean Narboni, André S. Labarthe, Jean-Marie Straub, Danielle Huillet and Christophe Kantcheff were filmed at his home in Rolle, in his study, at the Fresnoy National Studio for the Contemporary Arts (in front of students) and in the exhibition rooms of the Pompidou Centre.

A compilation of the most spectacular TV moments thanks to the presence and evocation of Jean-Luc Godard on the small screen. Godard's presence has never been, and never will be, anodyne or banal. The subversion of everyday television.

Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.