A girl is awakened to a world of cruelty, shadowy passions and sensuality.

Na 'Leedvermaak' uit 1989 en 'Qui vive' uit 2001 is de trilogie nu compleet met 'Happy end'. Frans Weisz regisseerde, Judith Herzberg schreef. Een familiegeschiedenis waarin 3 generaties van een joodse familie elk op hun eigen manier worstelen...

The bumpy love lives of four Amsterdam couples intersect during the days leading up to Dutch national holiday Sinterklaas.

Qui vive is made with more or less the same cast and crew as the widely praised Leedvermaak (Polonaise, 1989) and is also based on a play by Judith Herzberg. The relations in a family marked by war traumas remain complicated.

Old entertainer gets a last chance to play a serious role.

Seventh Heaven or De Zevende Hemel is a 1993 Dutch romantic comedy film directed by Jean-Paul Lilienfeld.

A biography of Isabelle de Charrière and her friendship with Benjamin Constant.

The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.

Nico and Leo are getting married. Their entire family and both their exes are in attendance. Some of these are performing musical numbers on stage. But memories of the war and the fact that Leo's mother died in a concentration camp keeps coming to the forefront.

Young Barend is worried about the safety of the sailing vessel he is on. The owner is an unscrupulous and stingy man who skimps on repairs and Barend becomes aware of this. Inevitably there is drama and tragedy. The film is set in an early 20th century Dutch fishing village with local period costume and colour.

In medieval Europe, a young girl from a noble family is obsessed with her captors - commoners.

The reconstruction of a Dutch political scandal from the 1960s when a PR specialist managed to gain unhealthy influence in government circles. Eventually he became the biggest victim.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

Several Dutch teenagers realize cruel difference between dreams and reality.

When a museum directer, who has long been divorced, takes a young girl as a lover things quickly become more complicated when her ex-husband also engages in a relationship with the girl.

The delicate story of the impossible love between an older married man and a fourteen-year old schoolgirl.

A sparkling film and surprising look into the middle ages by means of the story of Mariken, whose beauty is used by the devilish comedian Moenen to put people up against each other.

Author Frank's debut novel is successful, but he needs the proceeds to pay off a debt and his girlfriend Mascha ends their relationship. He meets another woman, but he and Mascha also seem to make amends. These amorous vicissitudes give him inspiration for a new book, which will deal with eroticism in the Netherlands.

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.