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From Venice to Illiers, a journey into the memory of Proust. Freely intersperses documentary language with fiction, embodied in the figure of a visitor in search of the places and faces that Proust loved, from the Illiers-Combray of his childhood to the longed-for Venice that he never got to know.


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, 85m
La fugue de Suzanne
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Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.


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, , 110m

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A Writer's Century

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El cuervo, la yegua, y la fosa
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, , 16m
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In 1916 author Marcel Proust is leading a reclusive life in Paris. He hires a quartet of musicians and befriends one of them, a wounded serviceman.


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, , 84m
Screen Two
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À la recherche du temps perdu

Follows a young man, Marcel, from his childhood in Combray to his discovery of social life among the upper classes.


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La captive
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Ariane lives in Simon's large Parisian apartment. He wants to know everything from her, follows her, has her accompanied for her trips and constantly interrogates her. Knowing her taste for women and her double life only exacerbates his suffering, his helplessness, and his desire for her.


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, , 118m


Le temps retrouvé, d'après l'oeuvre de Marcel Proust

A lush, elegant epic taking us on a time-swirling trip down the infinitely complex labyrinth that is Marcel Proust's memory lane.


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, , , 169m

Un amour de Swann
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In early 20th century, Charles Swann, a young and wealthy dandy, spends most of his time hanging out with the old nobility, notably the Duke and Duchess of Guermantes. He is madly in love with a pretty demi-mondaine, Odette de Crécy. Idle, Swann surrenders complacently to the torments of jealousy. After hours of suffering, he manages to spend a night with Odette. In the morning, he believes that ultimately, this one is "not his type". However, we find him, many years later, alongside Odette who, now his wife, gave him a daughter. In the company of Baron de Charlus, brother of the Duchess of Guermantes, he wonders about the failure of his sentimental life, so far removed from this absolute he dreamed of.


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, , , 110m

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In 1914, with men gone to war, Marcel Proust hired Céleste Albaret as his attendant. More than eight years later, she was at his side when he died. During this entire time, she only entered his room when he rang for her, sleeping from 9 AM to 3 PM to wait during the night while he wrote. Marcel uses her as more than a servant: she is his muse, telling stories of her childhood to stir his remembrance of things past; she's in cahoots with him as he manipulates those he wants to draw on for his writing; she listens appalled to his descriptions of the underside of Paris. Hers is a life of love and sweet devotion as he races time to finish his work before death.


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, , 107m


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