In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

Accompanied by her lover, Suzanna, 40, views a Riviera beach house for her family's summer vacation. This day, this break in her routine, in this new house, will mark a turning point in her life. Based on the Marguerite Duras play of the same name, Suzanna Andler is the portrait of a woman trapped in her marriage to a wealthy, unfaithful businessman in the 1960s. She must choose between her conventional destiny as a wife and mother, and her freedom, embodied by her young lover.

A troubled mother's spirit crumbles when her adult children strike out for independence. Feeling abandoned she contemplates taking drastic action.

A portrait of French novelist, playwright, essayist, screenwriter, and filmmaker Marguerite Duras as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.

Cet Amour-là is an intimate portrait of a legendary love affair. Set against the beauty of the Breton seaside, it is also a film that revels in the insights that Marguerite Duras' writing affords.

How to make a film about a writer? How to show in pictures the work of a man who insists on disappearing? Several thinkers comment on the figure and work of a key intellectual in 20th century literature and thought.

When Duras saw 'La mort du jeune aviateur anglais', she told Benoît Jacquot that the film was about him, not her. "She treated me like a thief. So I offered to make another film, where she could say whatever she wanted about her life as a writer. That’s how we did Écrire. I brought the same film crew. We went to her house at Neauphle-le-Château and we set up in the room she called 'the music room,' where there was a piano and you could listen to records. She settled in and for two days of non-stop filming, she talked."

Marguerite Duras tells the story of the death of a young English aviator in a French village.

In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.

The child Ernesto doesn't want to go to school any more because, as he says, all he is taught there is things he doesn't know.

In Italy, a vacationing Englishman leaves his girlfriend for a wealthy mysterious American widow who's sailing the seas in search of her long-lost sailor friend.

Much to the detriment of his foster dad a middle class woman tries to reclaim her six years old boy she abandoned at birth.

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

A group of tourists, which relations are already complicated enough, faces with local crime incident.

Marin Karmitz's avant-garde short film is a haunting tale about an alcoholic novelist facing a crippling case of writer's block.

Therese, a café owner, mourns the mysterious disappearance of her husband sixteen years earlier. A tramp arrives in the town and she believes him to be her husband. But he is suffering from amnesia and she tries to bring back his memory of earlier times.

A wealthy and bored woman is witness of a murder in affection and meets another witness. She asks him about the history of the victim and falls in love with him.

A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

During the 1950s, in French Indochina, the Dufresne family struggles to survive amid harsh economic times and natural disasters.