The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

A selfless young woman (Supriya Choudhury) sacrifices her own happiness for her unappreciative family.

A tax collector posted to a small town puts up at a mansion feared by the locals because it is haunted. As time passes he grows more consumed by the mansion and its air of romance, and the spirits that haunt it, especially a beautiful woman. Adapted from a Rabindranath Tagore story.

Based on popular Indian stories of the great writer Rabindranath Tagore, these short films reveal definitive moments in the lives of three young girls.

In this quest narrative that makes the Odyssey look like a trip to the mall, four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

Atin and Ela are revolutionaries who are deeply in love with each other but their union is not accepted by the group's leader Indranath. To separate them, Indranath sends Ela off to a distant camp.

Rahmat a middle-aged fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini.

A poor Afghani leaves his family behind to earn a living as a dried fruit vendor in India. Profoundly homesick, he befriends a young girl who reminds him of his own daughter. Meanwhile, the locals are distrustful of all foreigners.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

This documentary shows the life of the greatest Bengali talent of all time, Rabindranath Tagore. His work in Bengali culture and literature.

A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.

Sata Bose, the receptionist of hotel Shahjahan and other crew members work hard to make the hotel first choice of the upper class for socializing in the city, just got the taste of freedom from British rule. The movie revolves around different characters - hotel employees to page 3 personalities dealing different human emotions. Although Sata Bose (played by Uttam Kumar) is the central character of the film, he is not the protagonist in many ways, rather the movie can be described as "hyperlink movie" made long ago than the term is coined.

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

A journey through the life of an aged Bengali poet, Shashibhushan. Shashbhushan, now blind, reflects on his past. Stimulated by sounds - songs, crows, traffic, and an electronic lighter - he recalls the now-vanished arts and literature scene of post independence Calcutta. The old man lives in a crumbling aristocratic mansion in the heart of town, which he shares with his teacher's daughter, Sarama, and her young son Shumon. During a vacation in the country another man enters their lives. Gangan was born blind and is a talented singer. Gangan and Sarama engage in a secret affair as Shashibhushan recalls his own wife, who he lost because of his uncontrollable sexual appetite.

Binodini is a young widow who lives with a woman and her son, Mahendra, who had once refused to marry her. Their lives are thrown into disarray when there is deceit and adultery between Binodini, Mahendra, his wife and his friend.

The film is based on the lives of Bengali's across the world, especially on those settled abroad. It attempts to delineate the pain and dilemma of Bengali's estranged from their places of origin. It seeks to explore sensitive souls singing to the tunes of Tagore.

Months after an accident following his marriage, a husband finds that the veiled woman he brought home is not his wife.

The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.