Performed at the Royal Court Theatre on 16th January, 1973 Produced for the BBC in 1977 by Tristram Powell Directed by Anthony Page and Samuel Beckett Cast: Billie Whitelaw

Two enigmatic figures with code names, Costello and the Colonel, bound seemingly by some mysterious revolutionary past, engage in an intense conversation concerning the architecture surrounding them, with possible catastrophic consequences.

Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.

Etienne, an often out of work but endearing actor, runs a theater workshop in a prison, where he brings together an unlikely troupe of prisoners to stage Samuel Beckett’s famous play Waiting for Godot. When he is allowed to take the colorful band of convicts on a tour outside of prison, Etienne finally has the chance to thrive.

A reader tells a sad story to a listener, who only knocks in response.

Two derelicts, Vladimir and Estragon, occupy themselves as they wait for 'Godot' to make an appearance on Pozzo's estate.

Winnie, a woman in her fifties, is buried waist-deep in a mound of scorched earth, with just a large, black shopping bag and a collapsed parasol. Behind her and hidden from view sleeps Willie.

The meeting of two worlds that never met. One of poetry and freedom, and the other of silence and darkness. A story that begins in a maximum security prison in Sweden where a young actor, Jan Jönson, decides to stage " Waiting for Godot "with five prisoners as actors.

Two tramps wait for a man named Godot, but instead meet a pompous man and his stooped-over slave.

The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.

May, wrapped in tatters, paces back and forth engaging in conversation with the disembodied voice of her mother. In the second scene, May's voice becomes subsumed into her mother's. She paces ever more slowly as the play progresses, and the light dims so that by the fourth and final scene there is no trace of her

A hot, thirsty man in the desert is tormented when the things he needs drop from the sky only to disappear again or hover out of his reach.

Two actors. On a road. With a tree. An effective description of the world Tony A and Tony Z find themselves inhabiting in Alan Arkin's film. "Samuel Beckett is Coming Soon...". Far from home, awaiting fame, recognition - or just an audience - the Tonys barely notice their lives mirroring the sad comedy, "Waiting for Godot." As they journey through the Southland, they find much less than they bargained for, trying to bring Beckett's classic to a largely disinterested modern audience.

Samuel Beckett - Endgame BBC/Open University 1989 Full length production of Beckett's play. Dur: 1h 31m 29s _____________________________________________________ Hamm - Norman Beaton Clov - Stephen Rea Nagg - Charlie Drake Nell - Kate Binchy Produced and Directed by Tony Coe

Sitting alone on his 69th birthday, Krapp reflects upon the last 30 years of his life as he listens to an old tape recording of himself he made on his 39th Birthday.

The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, and takes us through the rehearsal process of Beckett's newest play, including the recording of the dialogue, as almost all of it is voiceover. The final fifteen minutes of the film are the premiere performance in its entirety.

A man attempts to evade observation by an all-seeing eye.