Based on the research for his non-fiction book "Der Baader-Meinhoff-Komplex", "Spiegel" journalist Stefan Aust wrote the screen play to Reinhard Hauff’s controversial feature film that re-narrates the startling trial against the RAF terrorists Baader, Meinhoff, Ensslin, and Raspe. The trial that started in May 1975 in the Stammheim maximum-security prison extended over 192 days and ended with a lifetime sentence for all defendants.

In the 1970's, she was the mastermind of Germany's notorious Red Army Faction. Ulrike Meinhof was finally captured in 1972. In 1976 she committed suicide in her prison cell. This film is a journey into the past.

Twenty-five years after the death of Holger Meins, filmmaker and former student friend of the deceased, Gerd Conradt takes an in-depth look at the helmsman of the Baader-Meinhof gang. Who was Holger Meins? What led him into the underground? What circumstances resulted in his death, a death which made him the declared symbol of the radical opposition in Germany? What remains of his legacy?

Referencing sixties B-movies like "They Saved Hitler’s Brain" and "The Brain That Would Not Die", Ulrike’s Brain finds Doctor Julia Feifer (Susanne Sachsse) arriving at an academic conference with an organ box. Inside the box: the brain of Ulrike Meinhof, which was saved by the authorities along with the brains of the three other leaders of the RAF after their deaths in Stammheim prison. Doctor Feifer can communicate telepathically with Ulrike’s brain, which is directing her to lead a new feminist revolution. To that end, she is searching for the ideal female body to transplant Ulrike’s brain into. At the same time, her arch-rival, Detlev Schlesinger, an extreme right-wing ideologue, arrives at the conference with the ashes of Michael Kühnen, the former German neo-Nazi leader and infamous homosexual who died of AIDS in 1989. When the two Frankenstein’s monsters of the extreme left and the extreme right meet, chaos ensues.

"Brides of Nothingness: Female Terror." What connects Magda Goebbels with Ulrike Meinhof? - Both women represent a different side of modernity: continuity and fractures of a female mentality story in which the unconscious of history is sedimented. The fanaticism of both women was a publicly lived love story with politics.