A portrait of the effects of schizophrenia on family life is the central focus.

Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.

BBC 4 documentary about 1970s German progressive music.

A documentation about Werner Herzog's motif to do movies.

Christian Weisenborn and Werner Herzog know each other for more than 40 years. His first film on Werner Herzog "I am my films" (1976-78) covered Herzog's beginning as a filmmaker, the new film is a sequel titled "I am my films, part 2 - 30 years later" in which Weisenborn talks about Werner Herzog as a documentarian of the past 30 years.

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.

“Nothing is typical for Werner, only the atypical is typical for him.” This is just one of many attempts to characterize Werner Herzog. Documentary filmmaker Thomas von Steinaecker spoke to actors, directors, directors of photography and producers who have worked with Herzog over his long career—including directors Chloé Zhao, Joshua Oppenheimer and Wim Wenders, singer Patti Smith and actors Nicole Kidman, Christian Bale and Robert Pattinson. We also hear from Herzog himself, with extraordinary anecdotes about film locations and shoots, his admiration for Lotte Eisner, and his eternal search for beauty. The interviews are carefully punctuated by archive footage of Herzog never seen before, iconic excerpts from his feature films and documentaries, and his cameos in cartoon series such as The Simpsons. Together they create a kaleidoscopic image of a radical visionary and dreamer, and of his very own “Werner World.”