In much of his video art, SJ. Ramir utilises geographical landscapes and the movement of people through them as a metaphor to explore the notion of metaphysical journeys that we make across landscapes within the mind. In a slight deviation from his usual style, Into Daylight is a widescreen ‘cinematic response’ to this theme. In it, Ramir has employed classic filmic devices - such as composed vignettes and slow camera pans - in combination with a lulling cinematic soundtrack, until a change in atmosphere occurs, and a lone figure, in silhouette, is revealed to be travelling through a remote and desolate terrain. The destination is not known. The focus is simply on the figure's journey.