To film without looking through the viewfinder; to emulate a tactile, subconscious vision. This was the intention of A TRAVÉS DE LAS RUINAS, made during the Falklands War (April-May 1982). The camera is a vacillating gaze that moves about in the darkness or is blinded by flickering. At the beginning, it delves into the sea; later, it represents aerial bombardments through urban lights. Silhouettes of human figures appear that never manage to connect with each other. Scarcely lit places, photographed on the 'threshold or exposure'; wintry, generalized interaction of spaces, distances, and dynamics. A continual present made up of intuitions and imprecise memories.